6 Store Locations
around Australia
2 Hour Pick-up
click & collect
Free Shipping
orders over $100*
No search results found.
Alter the keyword above to refine your result
We’re here to help
Get friendly advice from our industry professionals.
Call 1300 858 394
Over 28,000 Customers Can't Be Wrong!
Limited specials on a range of top gear
Save big on ex-demo and display stock
Available at checkout. More Info
Store DJ has two options for your product delivery. We offer FREE Shipping for orders over $100 (and under 20kgs) to anywhere in Australia, but if you need your gear urgently, then we also offer an Express Delivery service. If you would like to collect this item and save yourself the freight costs please call 1300 858 394. Click here for more details
The Allen & Heath ZED-18 has an incredibly advanced feature-set for a mixer at this level – it gives musicians, venues and hire companies access to 10 full mono channels and 4 stereo channels in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings.
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the sound card inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:
Send Options:
Return Options:
ZED-18 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ – with optimised slope (or Q factor) for equalising individual instruments.
Based on the proven pre-amps from the hugely successful PA series, ZED-18 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level.
Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.
Features
For more information, please visit the manufacturer's website.